Tuesday, 20 September 2016

Short Films

Conventions of short films
For a film to be considered a 'short film' it must be no longer than 40 minutes. Because of this limited time space, the film must keep its plot concise and easy to follow. Generally, the cast is small, keeping to a small group of characters and avoids complicated backstories. They're usually low budget and because of this, they often take place in everyday, ordinary environments such as in the home or a forest, making them relatable.
Short films typically use expressive and artistic camerawork, using unconventional angles and pans that wouldn't be used in big Hollywood movies. Sound is a very important aspect of short horror films. Sound can help narrate the story and build tension and fear in its audience. Sounds like heartbeats and creaking floorboards are very effective.

Some short films are later tuned into longer feature films, such as Mama and Lights Out, which started as short films. Todorov's Narrative Theory states that all films follow a similar plot. At first there is equilibrium, where everything is balanced. Soon there will be disruption and a problem will arise. Next, the characters will become aware of the disruption to the balance. They will then try to restore the balance and resolve the problem and by the end there will be equilibrium. In the Lights Out short, we are shown balance when we are introduced to the character, a woman in her pyjamas in her home. The disruption occurs when she turns off the light and a shadowy figure is visible and she realises that it is only visible when the lights are off. She attempts to resolve the issue by keeping the lights on and hiding under the covers. There is no restoration of equilibrium in this short however, as the figure is revealed at the end and viewers are left on a cliff-hanger.


Tuesday, 6 September 2016

The Horror genre

The Horror genre
The Conventions of horror
The first film in the horror genre was The Devil's Castle, made in 1896. Following this were films such as Nosferatu, Frankenstein and the Werewolf of London. Earlier horror films focused on the supernatural and things that weren't real, such as vampires. Towards the end of the 40's and early 50's the focus moved to exaggerating real events, playing on speculation and society. Themes of apocalypse start to show, with films like Godzilla and The Day the Earth Stood Still. After this the horror genre began to focus more on the fear of human beings ourselves, as is evident in Psycho, released in 1960. Later on towards the 90's horror films used the idea of the real to scare its audiences, with films like The Blair Witch Project causing its viewers to question it. 



Conventions of horror films include:
  • Jump Scares/ Fake Scares
  • Suspense
  • Disturbance
  • Tension
  • Darkness/ Night-time
  • Psychological themes
  • Isolation and separation
  • Death
  • Unknown threat
  • Confined (no escape)
  • Blood/ gore
  • A chase
  • Screaming
  • Good vs Evil
  • Dependence on sound editing to create affects
  • Eerie setting
  • Ordinary characters the audience can relate to
  • Lone female
  • Society
  • Senses (Usually blind or unable to see clearly, hearing noises but unable to see the source, smell, touching a surface that feels unusual or out of place)


Sub Genres of Horror
  • Supernatural
  • Paranormal
  • Slasher
  • Apocalypse
  • Suspense/ Thriller
  • Religious/ Satanic
  • Sci-Fi
  • Gothic
  • Rampant Animals
  • Splatter/ gorenography
  • Erotic
  • Dark Fantasy
  • Comedy
The Horror genre is one of the most popular genres of film. Many people enjoy being scared and getting the adrenaline rush that comes from fear. Some are interested in the dark, scary unknown. However some people do not enjoy the genre, nor the disturbing feeling that comes with it.

Genre Theories
Daniel Chandler says 'Genre is defined by the conventions' however he only right to an extent. Many conventions are seen in multiple genres, not just the one, and conventions change all the time, meaning the genre also becomes slightly different to what it may have been like in the past.
Jonathan Culler states 'A contract exists between creator and reader concerning 'audience expectations' of genre'